A Bucket Of Blood (1959)
A talentless would-be artist finds sudden success after accidentally covering his landlady's cat in clay - and wants more.
The House Of Usher (1960)
A brother fiercely refuses to let his sister marry her fiance - but are his motives rooted in something darker than mere jealousy?
The Intruder (1962)
A racist provocateur stirs up hatred and violence in a small town in the American South.
The Little Shop Of Horrors (1960)
A quiet young man is led astray by a peculiar plant with a thirst for blood.
The Masque Of The Red Death (1964)
A cruel prince devotes himself to Satan and lives a life of excess, but just beyond his castle gates lurks a deadly plague.
The Pit And The Pendulum (1961)
A man investigating his sister's early death grows increasingly suspicious in her widower's castle full of bizarre torture devices.
The Raven (1963)
Two aging wizards feud over a woman.
She Gods Of Shark Reef (1958)
Two fleeing criminals are shipwrecked on an island inhabited only by women, who worship a shark god.
The St Valentine's Day Massacre (1967)
A historical thriller about Al Capone's bloody war with Bugs Moran.
Tower Of London (1962)
Richard III is haunted by those he has murdered.
News

Inviting curiosity Ildikó Enyedi on the value of science, perception, discovery and Silent Friend

Streaming Spotlight: the rites of Spring We shine our Beltane spotlight on films in which the old ways linger

Fighting fit for a debut feature Valéry Carnoy talks toxic masculinity, memory, confidence and Belgian 'soft-power'

Collective power We look ahead at the programme of this year's Folk Film Gathering

Writing hidden messages Arnaud Desplechin on guilt, melodrama, feeling haunted, and Two Pianos

Clever crafting with Idiots Chris Barfoot on his six-camera set up and three-day shoot of his debut feature

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It's a busy time for festivals and here's the latest from the spring events:


Cannes 16 titles added to line-up


Cannes Carla Simón heads short film jury


Cannes Directors' Fortnight selection


Cannes Payal Kapadia heads Critics' Week jury